The album’s titular track, “I Told Them” (feat. GZA), not only inaugurates the album but also encapsulates its essence with masterful precision. Its sonic tapestry evokes a symphony of sounds reminiscent of Shaggy’s iconic works from the mid-1990s and early 2000s. Similarly, tracks like “Sittin’ On Top Of The World” (feat. 21 Savage) carry a backbeat akin to Shaggy’s “It Wasn’t Me,” while “Thanks” (feat. J. Cole) exudes similar qualities. Of note is the captivating spoken-word interlude within the titular track.

Other instances of spoken-word artistry grace this album, with one of the most noteworthy and touching being “12 Jewels,” where RZA eloquently encapsulates a collection of intrinsic values: knowledge, wisdom, understanding, freedom, justice, equality, food, clothing, shelter, love, peace, and happiness. It retains a raw production quality akin to the distinct quality of an iPhone recording.

Significantly, there’s a touch of UK-drill influence evident in this album. In “Cheat on Me,” Dave infuses the track with the rhythmic sway and expressive characteristics of UK Drill. The persistent high hats on the track exhibit a trap-like vibe, a common element in drill music. Furthermore, “Big 7” resonates with “UK-drill” language and slang, seamlessly integrating this stylistic aspect into the album.

Amidst the collection of vibrant West African pop hits, it’s the moments of simplicity that wield remarkable power, as exemplified by “If I’m Lying,” a particularly impactful composition carrying a genuine and heartening message. This album, lyrically, provokes a lot of thought and reflection. It stands as a strong body of work.

Here’s my rating for each song on a scale of (1-10):

“I Told Them” (feat. GZA) – 10

“Normal” – 7

“On Form” – 7

“Sittin’ On Top Of The World” (feat. 21 Savage) – 10

“Tested, Approved & Trusted” – 7

“Cheat On Me” (feat. Dave) – 8

“Virgil” – 7

“Big 7” – 10

“Dey Play” – 6

“City Boys” – 9

“Giza” – 10

“12 Jewels” – 10

“If I’m Lying” – 10

“Thanks” (feat. J. Cole) – 10

“Talibans II” – 6

Rating/Excellent – This will be on my rotation.

[We rank albums on a scale of: Poor, Mediocre, Good, Excellent, and Outstanding]

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This another fast rising musician all the way from Finland.

Listen to “Ma Bae”

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Lington’s musical journey began under the guidance of Lisa Gold Gervais, where he immersed himself in the intricacies of vocal and piano techniques. This early training laid the foundation upon which he constructed his musical prowess, eventually leading him to explore the realms of music production, mixing, and mastering. “Black Desire” stands as a testament to the unwavering dedication and passion that Lington has invested in his craft.

In this latest venture, Joe Lington pays homage to his R&B and soul roots while seamlessly incorporating Afrobeat and Jamaican vibes into the mix. The album opens a sonic gateway, inviting listeners into a world where genres meld harmoniously. The influence of R&B luminaries like Sisqo and Keith Sweat is palpable, but what distinguishes Joe Lington is his ability to infuse these influences with his unique twist.

“Black Desire” is a fourteen-track odyssey that takes the listener on a rhythmic exploration. The beats are infectious, the melodies hypnotic, and Lington’s vocals effortlessly glide over each track, delivering emotive performances. Tracks like “Because of You” and “Mama” showcase the seamless fusion of Afrobeat and Jamaican influences, creating a vibrant and danceable atmosphere.

The production quality of the album is commendable, a testament to Joe Lington’s prowess in the studio. Each instrument finds its place in the sonic landscape, creating a lush and immersive listening experience. The balance between traditional R&B elements and the infusion of Afrobeat and Jamaican sounds is skillfully executed, resulting in a cohesive and captivating musical tapestry.

“Black Desire” marks the fourth addition to Joe Lington’s discography, following the success of “TRUST” (2018), “Nouveau depart” (2013), and “Focus” (2021). With each album, Lington has demonstrated his evolution as an artist, pushing the boundaries of his musical exploration.

Here’s my rating for each song on a scale of (1-10):

“Black Desire” – 6

“It’s Gonna Be Alright” – Remix – 7

“Mamacita” – 6

“Je Pleure” – 4

“Marshmellow” – 5

“Ce Soir” – 5

“I Can’t See You” – 4

“On Se Complète” – Remix – 5

“Pretty Woman” – 5

“Because of You” – 5

“On Dance” – 4

Score/ Good:  Joe Lington’s “Black Desire” is a testament to the artist’s ability to evolve and innovate within the R&B and soul genres. The infusion of Afrobeat and Jamaican influences adds a dynamic dimension to his musical palette, creating an album that is not only soulful but also irresistibly rhythmic. As Lington continues to carve his unique path in the music industry, “Black Desire” stands as a shimmering milestone in his artistic journey.

[We rank singles, EPs, and albums on a scale of Poor, Mediocre, Good, Excellent, and Outstanding]

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The post Joe Lington – Black Desire (Album Review) appeared first on Music Review World.