The tunes on this album notably feature pristine, flare-filled production; they were produced by Joshua Rumble, who has worked with established artists such as Gang Of Four, Paul Tucker, Jack Penãte, Florence Welch, and Bastille. Their coherence as creatives shines and sizzles, for lack of a better word. The band’s songwriting efforts are heartfelt and raw, tugging at your heartstrings. 

“Back The Way We Came” and “Don’t Let it Break Your Heart” initiated their EP campaign. At their core, both tracks are quintessential “feel-good” tunes featuring pulsating, rhythmic electric guitars with a touch of 1/8 delay and a strong, 4-on-the-floor beat; this band delivers that sound with originality and sincerity; this band stands out as a breath of fresh air. “Why” is good as well; a must-listen.

“Silence,” in my opinion, stands out as the strongest track in this collection. I’ve had it on repeat since I first got my hands on the EP. I must emphasise that it’s sonically explosive and expansive, yet this tune highlights one of the aspects I adore about this band. They write the songs that need to be written, unafraid to do so. This is the band defining the essence of music.

Below is my rating of the tunes on this record on a scale of 1-10

Don’t Let It Break Your Heart – 8

Back The Way We Came – 9

Silence – 10

Why – 9

Rating/Outstanding – Mark my words. This band is going to be big.

[We rank singles, EPs, and albums on a scale of Poor, Mediocre, Good, Excellent, and Outstanding]

The post Coming Up Roses – Coming Up Roses [EP Review] appeared first on Music Review World.

The Lineup:

“Amplified” showcases an array of rock bands set to shine on stage. BluntKnees, Beau Hope, Lost in Town, and Quadrant Close are leading the pack; they are known for their eclectic performances that never fail to captivate the crowd.

This gathering pays homage to London’s rock scene by highlighting some of the city’s most talented musicians. Explore the bands injecting life into the essence of rock within the city’s heart, poised to deliver performances that will leave you spellbound.

Supporting Grassroots Music Venues:

What sets “Amplified” apart is its cause. Every ticket sold supports the Music Venue Trust, a charity dedicated to preserving and enhancing grassroots music venues across the UK.

Come to “Amplified”. Be part of a movement dedicated to ensuring the longevity of music, for the generations. Here’s your chance to back London’s music community and help sustain these venues.

Event Information:

Location: The Water Rats, Kings Cross, London

Date & Time: 12th of March, from 7 to 11 pm

Tickets; Secure yours on Eventbrite

(£5 Early Bird, £7, Regular £10 at the door) – Early Bird has been extended until the 4th of March!

Tickets are selling fast, so grab yours now. 

Let’s come together and amplify London’s music scene!

The post Immerse yourself in the rock music scene of London at “Amplified”! appeared first on Music Review World.

In her highly anticipated fourth album, Sonya Lorelle embarks on a captivating journey, weaving together a tapestry of ten deeply evocative songs. Each of these tracks delves into the intricate labyrinth of grief, an emotion that unites us all in its universal embrace. 

What truly sets this album apart is its raw, unfiltered honesty, a fearless portrayal that exposes the very essence of her being. It’s a musical odyssey that speaks from the depths of the heart, fearlessly exploring a diverse range of genres while evoking the spirit of a Carol King-esque aura while imprinting her unique signature onto every note and lyric.

The album gracefully opens with “Surrender,” a breathtaking debut single that serves as a testament to Lorelle’s avant-garde prowess and encapsulates the grandeur of a Bond-esque epic. In its soul-stirring verses, it gently captures the raw vulnerability experienced when we lose someone dear. For me personally, it’s not just a track; it’s an emotional powerhouse that not only sets the stage but invites you to an emotionally charged journey that lies ahead.

While the album undoubtedly carries both lyrical and sonic weight, it also has melancholic moments. It’s Time” is one such instance where the music becomes a soothing balm for the soul. Then there’s “Whiskey Crying,” a contest-winning traditionalist country gem that adds depth and variety to the record. 
Furthermore, “Who Am I” takes a similar approach, evoking a sound reminiscent of the timeless tunes in Dolly Parton’s “Jolene.”

The melodies woven throughout this album are often rich and full, creating a complex and enchanting soundscape. Yet, amidst this lush musical tapestry, there’s a hidden gem waiting to be uncovered. “Drunk On Your Kisses” is a raw and beautifully intimate piece, a testament to Lorelle’s remarkable ability to convey profound emotions with simplicity.

Below is a rating for each song on a scale of 1-10:

“Surrender” – 7

“Want This Life” – 6

“Losing You” – 8

“What You Gonna Do” – 7

“You’d Be Sorry” – 6

“It’s Time” – 8

“Who Am I” – 7

“In to The Wild” – 7

“Whiskey Crying” – 7

“Drunk On Your Kisses” – 8

SCORE/EXCELLENT: “Into The Wild” is an album that takes you on an emotional rollercoaster, traversing the depths of grief and painting a vivid musical portrait of the human experience.

(We rank albums on a scale of: Poor, Mediocre, Good, Excellent, Outstanding).

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The post Sonya Lorelle – Into The Wild [Album Review] appeared first on Music Review World.

She has infused jazz and vintage pop ballads, breathing a fresh breeze into the contemporary pop music landscape. “From the Start,” the eclectic lead single of this exceptional record, currently boasts over 100 million streams on Spotify and is tantalisingly close to breaking into the Billboard Hot 100. It’s a hit, and its melodic charm touches everyone I know. The tunes featured on this record are magical and truly enchanting.

“Dreamer” serves as a powerful album opener, featuring an acappella section at the beginning that exudes a distinct “Patti Page-esque” quality. It’s genuinely invigorating to witness Laufey embracing and celebrating her musical solid roots.

“Dreamer” – 8

“Second Best” – 7.5

“Haunted” – 8

“Must Be Love” – 7.5

“While You Were Sleeping” – 6.5

“Lovesick” – 6

“California and Me” – 6

“Nocturne” – 7.5

“Promise” – 9

“From The Start” – 9

“Misty” – 6

“Serendipity” – 8

“Letter To My 13-Year-Old Self – 9

“Bewitched” – 7

Rating – Excellent. Laufey’s sophomore album is a captivating journey through a blend of jazz and vintage pop ballads, injecting fresh air into contemporary pop music. It’s an album that is artistically rich. Whether you’re a jazz, pop, or heartfelt ballad fan, this album has something to offer, making it a compelling addition to Laufey’s discography.

[We rank albums on a scale of: Poor, Good, Mediocre, Excellent, Outstanding]

The post Laufey – Bewitched [Album Review] appeared first on Music Review World.

This expansive opus attempts to blend R&B and mumble-rap influences, creating a sound that may evoke thoughts of the enigmatic artist “Yeat.” It’s evident that the artist, also known as “Cam Smith,” poured their creative energies into crafting this extensive collection.

In a music landscape where shorter albums often dominate, R2RCam’s audacious move to release such an extensive record is undeniably bold. It harks back to Lil Uzi Vert’s “Pink Tape,” in the sense that it is a hit or miss.

The album’s experimental nature is commendable, with “Did It First” offering a glimmer of promise. This standout track showcases a bold piano riff reminiscent of classic hip-hop records, momentarily hinting at the album’s potential. A similar fleeting moment can be found on “Set It Off,” which leans more towards “gangsta-rap.”

Then there’s “Hood Love Story,” which distinguishes itself with its unapologetic use of 808s and a beat firmly rooted in the 90s “Neo-soul” soundscape. It’s laden with synths, providing a somewhat refreshing departure within this music genre.

It’s worth noting that R2RCam wrote all 30 songs on this record, save for one (an impressive feat, no doubt); however, as the album progresses, it becomes increasingly apparent that maintaining a consistent level of quality was a herculean task. Despite these shortcomings, there remains something curiously intriguing about the record, drawing in those who appreciate artists pushing their creative boundaries, even if the outcome doesn’t consistently hit the mark.

Below is a rating for each song on a scale of 1-10:

“Look Out” – 5

“Standing On Dat” – 5.5

“Lightning McQueen” – 4

“Bag Talk” – 6

“Did It First” – 7

“Mission Man” – 5

“Victory Lap” – 5

“Roll Em” – 6

“Spicnspan” – 6

“Set It Off” – 7.5

“Big Glam” – 6

“Medusa” – 6

“Rara” – 6

“Hogwartz” – 7

“Lame-o Laughtrack” – 5

“Matrix” – 6

“Harambe” – 6.5

“Mardi Gras” – 4

“OMD” – 5

“Onenottwo” – 4

“Fail2win” – 6

“Da Blues” – 4

“Venus” – 6

“Demi” – 4.5

“Lescc” – 5

“Summit” – 6

“Hood Love Story” – 5

“All 4U” – 6

“I See” – 4

“Almighty” – 5

Rating/Good – This album can be deemed a solid effort, particularly given its ambitious scope. Despite its imperfections, it stands out as a good offering for those who seek innovation and daring experimentation in music.

[We rank albums on a scale of: Poor, Good, Mediocre, Excellent, Outstanding]

The post R2rcam – Wizardry [Album Review] appeared first on Music Review World.

By sheer serendipity, I stumbled upon Grace’s music on Tuesday. She unveiled a collaboration between herself and one of my favourite, cherished London-based singer/songwriters. This artist is renowned for her tantalising, atmospheric blend of contemporary R&B/Soul and Latin Pop. The track “25” serves as a testament to the soundscape she is poised to champion.

A discernible contrast is evident between the opening and closing tracks of the EP. The opener, “Sunshine Kid,” reveals itself as a beautiful piano ballad, while the closer, “Last Girl” – my personal favourite on this record – emerges as the most experimental and resounding stadium anthem tune within this collection. It’s a track that pushes genre boundaries, representing a perfect and synergetic blend between “Riot Girl” Pop-Punk (reminiscent of “Bikini Kill’s” hits from the 90s) and synth-pop.

This record has taken my breath away. Here’s my rating for each song on a scale of (1-10):

“Sunshine Kid” – 10

“Good Days” – 10

“Oxytocin” – 10

“25” – 9

“No Grown Ups” – 10

“Redwood Curtian” – 10

“Last Girl” – 10

Rating/Excellent: Looking forward to her success; an exciting career ahead of her!)

[We rank albums on a scale of: Poor, Good, Mediocre, Excellent, Outstanding]

The post Grace Inspace – “Sunshine Kid” [EP Review] appeared first on Music Review World.

The album’s titular track, “I Told Them” (feat. GZA), not only inaugurates the album but also encapsulates its essence with masterful precision. Its sonic tapestry evokes a symphony of sounds reminiscent of Shaggy’s iconic works from the mid-1990s and early 2000s. Similarly, tracks like “Sittin’ On Top Of The World” (feat. 21 Savage) carry a backbeat akin to Shaggy’s “It Wasn’t Me,” while “Thanks” (feat. J. Cole) exudes similar qualities. Of note is the captivating spoken-word interlude within the titular track.

Other instances of spoken-word artistry grace this album, with one of the most noteworthy and touching being “12 Jewels,” where RZA eloquently encapsulates a collection of intrinsic values: knowledge, wisdom, understanding, freedom, justice, equality, food, clothing, shelter, love, peace, and happiness. It retains a raw production quality akin to the distinct quality of an iPhone recording.

Significantly, there’s a touch of UK-drill influence evident in this album. In “Cheat on Me,” Dave infuses the track with the rhythmic sway and expressive characteristics of UK Drill. The persistent high hats on the track exhibit a trap-like vibe, a common element in drill music. Furthermore, “Big 7” resonates with “UK-drill” language and slang, seamlessly integrating this stylistic aspect into the album.

Amidst the collection of vibrant West African pop hits, it’s the moments of simplicity that wield remarkable power, as exemplified by “If I’m Lying,” a particularly impactful composition carrying a genuine and heartening message. This album, lyrically, provokes a lot of thought and reflection. It stands as a strong body of work.

Here’s my rating for each song on a scale of (1-10):

“I Told Them” (feat. GZA) – 10

“Normal” – 7

“On Form” – 7

“Sittin’ On Top Of The World” (feat. 21 Savage) – 10

“Tested, Approved & Trusted” – 7

“Cheat On Me” (feat. Dave) – 8

“Virgil” – 7

“Big 7” – 10

“Dey Play” – 6

“City Boys” – 9

“Giza” – 10

“12 Jewels” – 10

“If I’m Lying” – 10

“Thanks” (feat. J. Cole) – 10

“Talibans II” – 6

Rating/Excellent – This will be on my rotation.

[We rank albums on a scale of: Poor, Mediocre, Good, Excellent, and Outstanding]

The post Burna Boy – I Told Them [Album Review] appeared first on Music Review World.

He’s truly explored the whole spectrum of his artistry up to this point.

“Subtract” isn’t your run-of-the-mill Ed Sheeran album; it boldly refuses to mimic the pop standard of hits like “Divide,” “Equals,” or his recent collaborative ventures. Instead, it stands as an independent masterpiece – an Acoustic/Folk Singer-Songwriter album that wears its rawness, intimate depth, and sheer beauty on its sleeve.

Among its tracks, you’ll find a collection of pop gems, and perhaps the shiniest of them all is “Eyes Closed,” a creation shaped by the genius of “Max Martin.” Even though Martin’s trademark songwriting technique peeks through in this track, its lyrical potency is undeniable.

The rest of the tracks on Subtract come to life under the skillful guidance of “The National’s” Aaron Dessner. Together, he and Ed form an unbreakable musical partnership.

“Subtract” unfolds the narrative of what Ed himself regards as the most challenging chapter of his life. A tapestry woven from personal trials—his wife’s health struggles, the painful loss of his dearest friend, and the unending courtroom battles to preserve his songwriting integrity—these events led him to an emotional abyss he had never ventured into before. This emotional journey is palpable throughout the album.

Its opener, “Boat,” emerges like the dawn, setting the tone for this collection with breathtaking clarity, especially in its bridge where Ed’s husky voice resounds, proclaiming, “The waves won’t break my boat.”

But that’s just the tip of the iceberg—this album hosts a series of raw and uncensored melodies that narrate a story so intense it even brought him to the brink of mortality. A vivid reflection of this is the second track, “Salt Water.”

What’s more, this marks Ed Sheeran’s premiere album to feature a succession of piano ballads. Tracks like “Borderline” and “Sycamore” scale melodious heights, boasting treble clef crescendos that bear an unmistakable “Elton John” flair.

My standout pick from this record is undoubted “Hills of Aberfeldy”. It resonates with a profoundly Scottish/Gaelic Folk essence that just sweeps you away. What’s truly captivating is that this piece was penned before the creation of Ed’s second album, “Multiply.” Even back then, he envisioned it as the grand finale for “Subtract.” Remarkably, Ed’s journey with “Subtract” began shortly after his debut album’s release. He dedicated himself to sculpting an album that mirrors his current self, and the result is striking. This album oozes authenticity: Ed’s self-expression has never been more resolute.

Right now, there’s a universal adoration for Ed Sheeran that transcends age barriers.

And now, for my ratings of the songs on this remarkable album, scaling from 1 to 10:

“Boat” – 7

“Salt Water” – 8

“Eyes Closed: – 6

“Life Goes On” – 7.5

“Dusty” – 6.5

“End of Youth” – 9

“Colourblind” – 5

“Curtains” – 6

“Borderline” – 8

“Spark” – 5

“Vega” – 8

“Sycamore” – 8

“No Strings” – 7

“The Hills of Aberfeldy” – 10

Score/GOOD – Overall, this album has swayed me, someone who usually fills their car with seventies and eighties hits along with a dose of indie gems. But this album? It has nestled itself in my heart.

[We rank albums on a scale of: Poor, Mediocre, Good, Excellent, and Outstanding]

The post Ed Sheeran: – Subtract [Album Review] appeared first on Music Review World.

The vanguard and preeminent gem of this EP is christened “Super Shy.” Its dominion spans the K-Pop soundscape like a tempest. This track ascended to South Korea’s coveted Circle Digital Chart throne, clinching NewJeans their third consecrated chart-topper in the nation. On an international spectrum, it assumes its pinnacle across diverse charts, reigning supreme in Hong Kong, Malaysia, Singapore, and Taiwan. The crescendo reaches its zenith, marking its highest attainment on the Billboard Global 200 (at the distinguished second place), the UK Singles Chart (capturing the 52nd spot), and the US Billboard Hot 100 (nestling into the 48th slot).

Inaugurating my rendezvous with this group, I happened upon “Super Shy” via an Instagram story shared by a friend. Its production instantaneously captivated me, leading me to assume I had unearthed a novel indie UK garage group. The song’s backbeat exuded a resemblance to Shanks & Bigfoot’s classic “Sweet Like Chocolate.” It was, in reality, a K-Pop song. A stark departure from the run-of-the-mill K-Pop anthems that I hear in the gym.

Here’s my rating for each song on a scale of (1-10):

“New Jeans” – 7

“Super Shy” – 10

“ETA” – 7

“Cool With You” – 8

“Get Up” – 6

“ASAP” – 9

Rating/Excellent – A pop gem.

[We rank albums on a scale of: Poor, Mediocre, Good, Excellent, and Outstanding]

The post New Jeans – Get Up [EP REVIEW] appeared first on Music Review World.

Drawing parallels to acclaimed lyricists such as Nas, Common, and Mos Def, Intellect brings a unique perspective shaped by his personal experiences and background. Hailing from Pensacola, Florida, and with a diverse skill set honed through his service with government agencies and the military, Intellect infuses his music with a rich tapestry of insights gleaned from his multifaceted life journey.

As the technical advisor and actor for NBC’s “The Enemy Within” and the former technical consultant for ABC’s “Quantico,” Intellect brings a wealth of knowledge and expertise to his artistry. This multifaceted approach is evident in “Too Many Losses,” as Intellect seamlessly weaves together elements of storytelling, social commentary, and technical precision to craft a truly compelling piece of music.

Rating/Good – “Too Many Losses” stands as a testament to Intellect’s artistic vision and storytelling prowess. With its poignant lyrics, captivating production, and raw authenticity, the song not only solidifies Intellect’s position as one of hip-hop’s most promising talents but also establishes itself as a standout track in 2024’s musical landscape.

[We rank albums on a scale of Poor, Mediocre, Good, Excellent, and Outstanding]

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