Twenty One Pilots – Clancy (Album Review)
Twenty One Pilots, Clancy
I’ve never been able to take it seriously when someone tells me they’re a fan of Twenty One Pilots. I always...
Billie Eilish – Hit Me Hard and Soft (Album Review)
After three years (and many more Grammy awards), Billie Eilish finally released her long-awaited third album, HIT ME HARD AND SOFT. Coming off the...
Cindy Lee – Diamond Jubilee (Album Review)
PART ONE: ANATOMY OF A ROCK AND ROLL MASTERPIECE
I texted about half a dozen people, demanding they answer me immediately because I had something...
Dominic Fike – 14 Minutes (Album Review)
There’s been a healthy amount of discussion around the exact purpose Dominic Fike serves for modern music, and more so, where the root of...
Gus Dapperton – Henge (Album Review)
In his third album, NY native Gus Dapperton offers an evolution of his established sound as Gus pays homage to the 70s' synth scene...
Lyrical Lemonade – All Is Yellow (Album Review)
Lyrical Lemonade, a Chicago video production brand created and headed in 2013 by Cole Bennett, has transcended beyond simply creating music videos and has...
Beyoncé – COWBOY CARTER (Album Review)
In the second act of her three-act project following her 2022 dance/house album, RENAISSANCE, Beyoncé's album COWBOY CARTER is set to the frequency of...
Sonya Lorelle – Into The Wild [Album Review]
Sonya Lorelle lays bare her soul in "Into The Wild," and I find myself profoundly touched by the depth of her sincerity.
In her highly...
McFly – Power To Play (Album Review)
The beloved five-piece British boy-band make a powerful return with an audio love letter to all things rock and roll.
Marking the impressive 20 year...
Olivia Rodrigo – GUTS (Album Review)
Coming off the success of the Grammy-winning album SOUR, Olivia Rodrigo brings us GUTS, an album that could be considered a follow-up to her...